Artnewspress: The controversial film director’s autobiography Apropos of Nothing had been dropped by its original publisher
Woody Allen’s memoir, dropped by its original publisher after widespread criticism, has found a new home.
The 400-page book, still called Apropos of Nothing, was released on Monday by Arcade Publishing.
“The book is a candid and comprehensive personal account by Woody Allen of his life,” Arcade announced, “ranging from his childhood in Brooklyn through his acclaimed career in film, theatre, television, print and standup comedy, as well as exploring his relationships with family and friends.”
With little advance notice, the 84-year-old film-maker’s book arrives at a time when much of the world is preoccupied with the coronavirus pandemic. Arcade is an imprint of Skyhorse Publishing and a Skyhorse spokeswoman said no decisions had been made on whether Allen would give interviews. Financial details for his deal with Arcade were not released and the spokeswoman had no immediate comment on whether the book would come out in Europe, where publishers in several countries have expressed interest.
Apropos of Nothing begins in the wry tone of such literary heroes as JD Salinger and George S Kaufman, describing Allen’s New York City upbringing and love affairs with Diane Keaton and others with a sense of nostalgia and angst that mirrors Allen movies ranging from Radio Days and The Purple Rose of Cairo to Annie Hall and Hannah and Her Sisters. But it darkens and becomes defensive as he recalls his relationship with Mia Farrow and the allegations he abused daughter Dylan Farrow, which for many have come to define his public image in recent years.
Allen was with Farrow for more than a decade, and recalls happy times with the “very, very beautiful” actress that would cool over the years, especially after the 1987 birth of their biological child, Ronan (named Satchel at birth). As he has alleged before, he and Farrow were essentially apart by the time he began dating her daughter Soon-Yi Previn, who is more than 30 years younger than him, in the early 90s. “At the very early stages of our new relationship, when lust reigns supreme … we couldn’t keep our hands off each other,” he writes of Previn, whom he married in 1997 and to whom he dedicates the book.
Recalling the day Farrow learned of the affair, after discovering erotic photographs of her twentysomething daughter at Allen’s apartment, Allen writes: “Of course I understand her shock, her dismay, her rage, everything. It was the correct reaction.” But he expresses no regret over him and Previn becoming lovers.
“Sometimes, when the going got rough and I was maligned everywhere, I was asked if I had known the outcome, do I ever wish I never took up with Soon-Yi?” he writes. “I always answered I’d do it again in a heartbeat.”
Allen has long denied sexually abusing Dylan. “I never laid a finger on Dylan, never did anything to her that could be even misconstrued as abusing her; it was a total fabrication from start to finish,” he writes. Describing a visit to Farrow’s Connecticut house in August 1992, when he allegedly molested Dylan, he acknowledges briefly placing his head on his seven-year-old daughter’s lap, but adds: “I certainly didn’t do anything improper to her. I was in a room full of people watching TV mid-afternoon.”
Allen was not charged, after two separate investigations in the 90s. Dylan has maintained that she was abused and her allegations have been embraced in the #MeToo era. Ellen Page and Greta Gerwig are among the actors who have said that they won’t work with Allen again and his most recent movie, A Rainy Day in New York, didn’t come out in the US. (Amazon, which was to release that and three other Allen movies, ended its deal with him; Allen sued and an out-of-court settlement was reportedly reached). Numerous publishers are said to have shied away from his memoir when an Allen representative shopped it last year.
“I can’t deny that it plays into my poetic fantasies to be an artist whose work isn’t seen in his own country and is forced, because of injustice, to have his public abroad,” Allen writes. “Henry Miller comes to mind. DH Lawrence. James Joyce. I see myself standing amongst them defiantly. It’s about at that point my wife wakes me up and says, ‘You’re snoring.’”
While Allen writes at length about his breakup with Farrow, he remembers warmly their films together, among them Hannah and Her Sisters and Broadway Danny Rose, and calls her an actress of versatility and depth. He also praises longtime defenders such as Dick Cavett and Alec Baldwin and shares fond memories of Mel Brooks, Bette Midler and Neil Simon, among others.
The initial announcement of Apropos of Nothing came earlier this month, when Grand Central Publishing confirmed to the Associated Press that it would release Allen’s book on 7 April. But the news was met with growing outrage, centred on allegations of Allen’s abuse of his daughter. Ronan Farrow, who shared the Pulitzer prize with the New York Times for his New Yorker investigation into Harvey Weinstein, was enraged to learn that Allen’s book was being published by the same parent company, Hachette Book Group that released his Catch and Kill. Dozens of Hachette employees staged a walkout over the book and Farrow, who had been working on Catch and Kill at the time Hachette acquired Allen’s memoir, said he would stop working with the publisher.
In a postscript to the Arcade edition, Allen alleges that Hachette had vowed to publish Apropos of Nothing despite his “being a toxic pariah and menace to society”. But, he writes, “When actual flak did arrive they thoughtfully reassessed their position” and “dumped the book like it was a hunk of Xenon 135.” The Guardian has contacted Hachette for a response.
Arcade editor Jeannette Seaver said in a statement: “In this strange time, when truth is too often dismissed as ‘fake news,’ we as publishers prefer to give voice to a respected artist, rather than bow to those determined to silence him.”
Skyhorse is a prolific and sometimes provocative company with a catalogue of books by everyone from Samuel Beckett and Octavio Paz to JFK conspiracy theorist Jim Garrison and Alan Dershowitz, the attorney and defender of Donald Trump.